The life and times of a fictional monster may not be as respectable a subject as a historical monster like, say, Idi Amin or Truman Capote, but Zombie's portrait is every bit as reverent, scrupulous, and deeply felt as any Oscar-grubbing horrorshow.. it's also one of [Jarmusch's] most visually expressive films, playing out amid ravishing nocturnal imagery that fits perfectly with the dark romantic tone.. Somehow it's all very entertaining and weird and fitting, with Detroit looking like a place ...
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